In this Photoshop tutorial, we will show, how to add sketch effect in photoshop with step by step guide and screenshot of each and every steps. we given full explanation. In this tutorial we’ll show you how to convert your photo into sketch effect using Adobe Photoshop.
Tutorial- how to add sketch effect in photoshop
This is the pic I used for this tutorial:
Lets get started.
Step 1: Open Photoshop & open your image in Photoshop which you want to convert into sketch effect. Double click on the Background Layer & press OK to work on it.
Step 2: Go to Image > Adjustments > Desaturate (Shift+Ctrl+U)
Step 3: Make a duplicate of the desaturated layer by pressing Ctrl+J. Keep the duplicate later selected.
Step 4: Now go to Image > Adjustments > Invert (Ctrl+I)
Step 5: change the blending mode to “Color Dodge”
Step 6: Finally go to Filter > Blur > Gaussian Blur & set the radius as per your satisfaction. Here I set radius 5.1 px
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Here we given photoshop tutorial for add angled lines effect to photo using photoshop. we given step by step screenshots with there short cuts keys and explanation
how to add angled lines effect to photo using photoshop
Step1: Open your image in Photoshop. Double click on Background & press OK to work on it.
how to add angled lines effect to photo using photoshop
Step 2: Create New Document with 3 pixel width, 3 pixel height and transparent background.
Step 3: Select your foreground color dark yellow(#ff9900) and draw 3 square using Pencil Tool.
Step 4: Select All using Ctrl + A & Create a pattern by Edit > Define Pattern. Name the pattern.
Step 5: Close the Pattern file and go back to image file. Create New Layer. Keep it selected.
Step 6: Go to Edit > Fill
(Choose “Pattern” from “Use” drop down menu and again in “Custom Pattern” you will find newly created pattern)
Step 7: Select newly created pattern and fill the layer. Change the layer mode to “Multiply”
In this photoshop tutorial we’ll show you how to add dust in your photo using Adobe Photoshop. convert photo into dust effect using photoshop .We are going to use Channels Tab in Layers Palette. Photoshop tutorial.
how to convert photo into dust effect using photoshop
Lets get started.
Step 1: Open Photoshop & open your image in Photoshop which you want to convert into dust effect. Double click on the Background Layer & press OK to work on it.
how to convert photo into dust effect using photoshop
Step 2: Go to Channel Palette and Create New Channel. Fill the channel with white color.
Step 3: Go to Filter > Noise > Add Noise and apply the settings given below in image:
Step 4: Then go to Filter > Stylize > Emboss & set the values given below in image:
Step 5: Go to Layer Palette. Create New Layer.
Step 6: Go to Select > Load Selection and choose (Alpha 1)
Step 7: Fill the selection with white color using Alt + Backspace & press Ctrl+D to deselect.
Step 8: Select Eraser Tool. Choose Spatter type of brush and erase the part of an image in such way that it should look as if the dust portion is cleaned off.
In this tutorial I’ll show you how to create a haunted castle movie poster in Photoshop using an array of good techniques. Learn adjustment layers, channel selections and text effects to create a cool poster.
how to create haunted castle movie poster using photoshop
Lets get started!
Step 1: Prepare the Document.
In Photoshop open a new document at 1000 x 1300 with resolution set to 300 dpi and using RGB color.
Place the image of the castle into the document and resize it. Place the image with the castle prominently in the centre and toward the bottom of the document like this:
how to create haunted castle movie poster using photoshop
Step 2: Cut Out the Sky
With the castle layer selected go to channels and find the channel with the most contrast which is the blue channel here. Duplicate this channel by dragging it to the new channel button just like you would a layer.
Go to Image > Adjustment > Levels. Bring the right slider along to 205 and the left slider to 210.This brings out the contrast of the castle against the sky so we can cut it out.
Grab a hard black brush and cover over the castle trees and moat with black. Then do the same with a white brush on the sky. If you need to make a selection around any left out bits do so and fill with the correct color.
Next Ctrl + click the blue copy channel to make a selection go back to you layers palette and hit Ctrl + shift + I to inverse then Ctrl + J to bring the castle and trees into a New Layer by Copy & Paste and rename the new layer castle.
Select the image of clouds by google images and place it in the image and resize it . Put this layer under the castle layer.
Step 4: Balancing the Poster
Add a color balance adjustment layer.
Set the midtone to + 70 giving the image a red tint.
Add a levels adjustment layer and change the midtone input to 0.80 .
Add a hue saturation adjustment layer and reduce the saturation to 21.
Step 5: The Eyes
download the face image by google images & place it in the document and cut the eyes out using the marquee tool. Select just the area around the eyes including the eyebrows and bridge of the nose but exclude the ears. Then hit ctrl shift and I to inverse the selection and delete.
Step 6: Making the Eyes Dramatic
We’ll now work on the eyes and make them more dramatic and other worldly so they fit in with the theme of the movie. Hold Ctrl and + Key to zoom in the image of the eyes so you can work on the pupil’s and eyeballs.
We’ll start by reducing the color, go to Image > Adjustments > Hue-Saturation and reduce the saturation to around -32.
Step 7: Eyes
If you need to and grab the Dodge Tool set to midtones and exposure set to 75 % then brighten around the pupil and the white of the eye. Bring out the color of the eyes and keep going until the eyes look more dramatic.
Step 7: Adding Colour to the Eyes
Then add a New Layer fill with a red color #da2411 and set to color burn with the Eraser Tool on soft round brush erase away the red on the castle and sky leaving the color only on the eyes like so.
Next grab the Burn Tool set to midtones with a 10 – 15 % exposure and darken a little around the eyes.
Step 8: Reducing Shine of Castle & Trees
Use the Burn Tool set to midtones and 70 – 80 % exposure to reduce the glare on the castle walls and spires. Cover all the areas where the sun is hitting the castle. Do the same for any shiny areas on trees.
Now my Image is looking like this:
Step 9: The Skull
Get the image of the skull from google images and resize it so it covers the bush this takes away a random looking element and adds drama.Set this layers blend mode to Lighter Color and the layer’s opacity to 55 %. Label the layer skull.
Step 10: The Starring Man
Get the image of a horror face from google images place it in the document now resize and place it on the left. Change the blend mode to Linear Light. Now reduce the opacity down to 75 % and you should have this.
Step 11: The Title Text
Choose the type tool and the font Decrepit (BRK) at size 20 type ‘THE HAUNTED CASTLE’. If you don’t have this font already download it from here. Place the text over the line where the eyes layer meets the cloud layer. Then to give the text some depth copy the text layer (ctrl + J ) and rasterise it reduce the opacity to 36 % and nudge it down and to the right 2 pixel .Place the copied layer below the original.
Step 14: The Credits Text
Create a box with the marquee tool to boom of the poster and fill this with a dark red I used #6f0303.Put this layers blend mode on Darken.
Add lettering with the Type Tool to make the image seem more like a film poster. Type the names in a larger font and the titles such as director in a smaller font. Then compress the whole group of text by highlighting it and reducing the horizontal scale in the character palette to around 44. I also added a small symbol in white. This all gives the text a movie poster feel.
how to create haunted castle movie poster using photoshop
You should end up with something similar to this:
Step 15: Adding More Text
Add ‘MASTERPIECE’ in Trajan pro with double quotation marks. Then use the shape tool to create 5 small 5 sided stars (create stars from Basic Shapes by using Shape Tool) in dark red with the name of a magazine you like. Then add academy award winner 2010 and place in the lower right hand side.
Step 16: Fill with Light
To lighten up the image add a new layer at the top and fill it with white, change the layer’s blend mode to Overlay. Reduce the opacity to 50% (Shortcut key is 5).
Step 16: Adding Some Red
Then add a gradient adjustment layer with the colors stops set from #a3060b to #f60c0c, linear and 90 degrees. Set the blending mode to Luminosity and reduce the opacity to 10%.
And you done it!
Here’s my final result:
how to create haunted castle movie poster using photoshop
I found very useful links to find and download the best free photoshop brush sets. There are indeed free high-resolution brush sets. use with Adobe Photoshop
best free photoshop brush sets
There are indeed free high-resolution brush sets. We can use these brushes to working with Adobe Photoshop.
Can be used for grunge, stars abstract and smoke/forg effects. This set was based upon the stars of the heavens. This set, cataclysm, was designed to bring violent destruction upon the use of other sets. It has many uses and works very well for sigs.
Now with these wonderful brushes all you need is Photoshop and the brush tool selected, you’ll create floral frame brushes so awesome that you will love.
The pack contains the the letters of the alphabet, numbers and some extras. Theres a piece of tape and some marks which could be used in white and added to the labels once they’re done to make them look authentic and cool.
25 Tiny Text Brushes 02
It includes 25 tiny text brushes for icons. The .zip contains an .abr file compatible with Photoshop 7.0 and up.
CSS tutorial, how to create 3D push button effect using css, In this article, we given CSS code with result screenshots. Explained about creating 3d button using CSS only. Create a simple button with 3D look for your website using CSS.
Photoshop tutorial, how to turn a photo to canvas print using photoshop. In this article, we given full step by step guide with screenshots and with their short cut keys.
In this tutorial, we will learn to convert a normal picture to canvas print.
Step 1: Open your image in Photoshop which you want to convert into canvas print. Double click on Background layer and press OK to work on it.
how to turn a photo to canvas print using photoshop
Step 2: Press Shift+Control+U to desaturate the image:
how to turn a photo to canvas print using photoshop
Step 3: We now colorize this layer. For that, set the foreground color to #C78C66 and background to #F0E6A9.
Step 4: Select the Gradient Tool and select the Gradient:
Step 5: Create a New Layer and fill the image with this gradient from top to bottom. Now set the Blending Mode to Color this layer.
Step 6: Duplicate the layer by pressing Ctrl+J. Set the Blending Mode to Linear Light & reduce the opacity to 55%
Step 7: Now, press Ctrl+L to open the levels dialog box and set the values which I shown in the below image:
Step 8: Press Ctrl+Shift+E to merge all the layers. Now, we will use the texturizer filter to give it a canvas look. For that, go to Filter > Texture> Texturizer and give these values:
Now our image is looking like this:
Step 9: We will now apply lighting effect to give it more classic look. Go to Filter > Render > Lighting Effects and apply the settings as shown in the figure below:
You have successfully converted your picture to a canvas print.
In this blog, we’re going to learn how to create hollywood movie poster photoshop tutorial, blend photos together like Hollywood movie poster using Photoshop. We given step by step with their screenshots and given explanation about same.
how to create hollywood movie poster photoshop tutorial
Here’s the first photo I’ll be using:
how to create hollywood movie poster photoshop tutorial
Here’s the image I want to blend it with:
how to create hollywood movie poster photoshop tutorial
Step 1: The first thing we need in order to blend our two images together is for them to both be in the same document. To do that, with both of my images open on the screen in their own separate document windows, I’m going to grab my Move tool from the Tools palette, or I could press the letter V on my keyboard to quickly select it:
how to create hollywood movie poster photoshop tutorial
Then with my Move tool selected, I’m going to click anywhere inside the image of the couple walking on the beach to make that document window active, and I’m simply going to drag the image into the other document window:
how to create hollywood movie poster photoshop tutorial
When I release my mouse button, both images appear inside the same document, one on top of the other. I can also see both images now on their own separate layers in the Layers palette:
Step 2: Now that I’ve dragged the beach photo into the other document, I need to resize it, and I can do that easily with Photoshop’s Free Transform command. With the beach photo layer selected in the Layers palette, I’m going to use the keyboard shortcut Ctrl+T (Win) / Command+T (Mac) to bring up the Free Transform box and handles around the image.
Problem is, this image is in “landscape” mode, meaning its width is longer than its height, and I’ve dragged it into a document containing an image that’s in “portrait” mode (its height is longer than its width), so even though Photoshop has placed the Free Transform box and handles around my image, I can’t see any of the corner handles because the sides of the image are extending out beyond the viewable area of the document. To do that press F on your keyboard and you can move your image where you want.
When I’m happy with the new size of my image, I’m going to press Enter (Win) / Return (Mac) to accept the transformation.
Your background layer means couple layer is locked to work on it double click on background layer in a Layers pallete. Now the warning message is telling me that Photoshop can’t move the image because the layer is locked, press OK to work on it.
Step 3: Now we can begin blending them together. The first thing we need is a layer mask, and we’re going to add it to the layer on top (“Layer 1”), which is my case is the layer containing the beach photo, so I’m going to click on that layer in the Layers palette to select it. Then, click on the Add A Layer Mask icon at the bottom of the Layers palette:
We can now see the layer mask thumbnail added to the top layer:
Step 4: Select your Gradient tool from the Tools palette, or press G to quickly access it with the keyboard shortcut.
Then, up in the Options Bar at the top of the screen, click on the down-pointing arrow to the right of the gradient preview area, which will bring up the Gradient Picker. Click on the black to white gradient in the top row, third from the left to select it:
Now drag the Gradient like I shown in below image:
Now my image is looking like this:
Step 5: With “Layer 1” still selected in the Layers palette, press Shift+Ctrl+Alt+E (Win) / Shift+Command+Option+E (Mac) to merge both layers onto a new layer above it, which Photoshop will name “Layer 2”:
Step 6: We’re going to remove all the color from the image at this point so we can add our own color, which we’ll do in a moment. To remove the colors, press Shift+Ctrl+U (Win) / Shift+Command+U (Mac) to desaturate the layer:
Step 7: Let’s add a little noise to the image to help the two photos blend more seamlessly together. Go to the Filter menu > Noise > Add Noise. This brings up the Add Noise dialog box. Set the Amount to somewhere between 1-6% depending on the pixel dimensions of your image. I’m working on a low resolution image for this tutorial, so I’m going to set mine to 1% just to add a hint of noise. Make sure Distribution is set to Gaussian, and also make sure the Monochromatic option at the very bottom is checked:
Step 8: All that’s left to do is add our own color to the image. For that, we’re going to use a Solid Color fill layer. Click on the New Fill Or Adjustment Layer icon at the bottom of the Layers palette. Then select Solid Color from the top of the list that appears:
how to create hollywood movie poster photoshop tutorial
Photoshop’s Color Picker will appear. Choose the color that you want to use for your image. I’m going to select a light orange for my color:
Click OK once you’ve chosen a color to exit out of the Color Picker. Don’t worry about choosing the “right” color at the moment because you can always change it later.
Step 9: Go to Blending Mode and select Color:
Your image will now be colorized with your chosen color rather than being blocked from view by it. If you decide you’re not happy with the color you chose, just double-click on the Solid Color fill layer’s color swatch icon in the Layers palette:
When you do that, the Color Picker will pop back up and you can choose a different color. Since the Solid Color fill layer is already set to the “Color” blend mode, you’ll be able to see a live preview of how your current color choice looks with your image.
Here’s my final result:
how to create hollywood movie poster photoshop tutorial
Photoshop Tutorial, create a web photo gallery in 5 minutes using photoshop, Photoshop makes it easy to share your pictures with friends and family using the automated Web Photo Gallery command. This command generates an index page of thumbnail images with hyperlinks to all your pictures. Adobe Photoshop CS3 allow someone with little or no web design experience to make stunning photo galleries.
create a web photo gallery in 5 minutes using photoshop
These instructions were written for Photoshop version 5.5. Later versions introduced more templates and options, but these instructions should be enough to get you started. :~
Prepare your photos for the Web by rotating, cropping, resizing, and color correcting, if necessary. Refer to the related information in the links below for tips on prepping your pictures.
Places the photos you want to include in the gallery in a folder on your hard drive.
Choose an empty folder or create a new one to use as a destination folder for the files created by the Photo Gallery command.
************************************************************************************************ Step 1: Open Photoshop & Go to File > Automate > Web Photo Gallery to open the photo gallery dialog box.
Step 2: At the very top of the window, take some time to choose the template you like best under the Styles drop down menu. Keep in mind that the Flash Template will take more bandwidth, require more time to load, and must be supported by a flash plugin (which most web browsers have anyway). With this in mind, the Flash-based styles do look very modern and attractive. You can see below in this image:
Step 3: Below that, insert your email address if you want it to be published on your site. If not, then just leave this segment blank.
Step 4: Now you have a photo gallery dialog box on your computer screen, click the “choose” button and select the folder containing your images. If thefolder contains sub-folders with images you want to include, check the box to include subdirectories.
Step 5:Next to Destination, click the “choose” button and select the empty folder. (I created it on my desktop)
Step 6: In the Site Name field, type a title that will appear on all the pages of your gallery. This is the text that also appears in the title bar when the page is viewed in a Web browser.
Step 7: If desired, fill in the Phototographer and Date fields. This information will also appear on the Web pages if it’s filled in.
Step 7: Click OK in the photo gallery dialog box.
And you’re done it!
Your Photo Gallery should automatically launch in your Web browser.
Photoshop has been a part of every web designer’s life since they picked up their first mouse. Here we given brief History of Adobe Photoshop with screenshots.
History of Adobe Photoshop
History of Adobe Photoshop
On February 10th, 2010, Photoshop turns twenty. To mark this anniversary, we’ve come up with an article that takes you through the evolution of Photoshop from its modest beginnings as a bundled program sold with scanners to its current version.
For each version and major feature listed, we couldn’t help but think “did Photoshop ever exist without that feature?”.
Some of the minor details are fun too, such as the one-liner Easter Eggs that Photoshop developers hid in some versions and the fact that the most current versions of Adobe Photoshop CS are equipped with anti-counterfeiting measures for multiple world currencies.
Please join us in thanking the Knolls and Adobe for making all of our lives more awesome, every day.
One of the most impressive things about the company is the fact that one gifted family, consisting of an engineering prof, a PHD engineering student, and a talented special effects whiz working at Industrial Light and Magic came up with the core idea of Photoshop.
Thomas Knoll, the PHD student, is still heavily involved with Photoshop years later.
Glen Knoll was a college professor with two sons and two hobbies; computers and photography.
He had a darkroom in his basement, and an Apple II Plus that he was allowed to bring home from work.
Thomas Knoll adopted his father’s photography habit throughout high school, while his brother, John Knoll, purchased one of the first Macs available to the public.
Fast forward to 1987: Thomas Knoll was a PHD student studying Engineering at the University of Michigan. His brother was working at Industrial Light and Magic.
Thomas Knoll wrote a subroutine for a program to translate monochrome images on his monitor to grayscale.
The successful subroutine led Knoll to create more and very soon he had a number of processes for achieving photographic effects on digital images.
After his brother John saw what Thomas was doing, he recommended that Thomas turn what he was doing into a full-featured image editor.
History of Adobe Photoshop
The combination of Thomas’ programming abilities with John’s pragmatic design background led to a collaboration between the two brothers to develop more processes and improve on the initial application.
Even though the process led to interruption in Thomas’ thesis work, the brothers released “Image Pro” in 1988.
John suggested that they begin to sell Image Pro as an application.
Within six months, the brothers had a partnership with a company that manufactured scanners, Barneyscan.
They purchased 200 copies of the program to ship with their scanners.
They called on Supermac and Aldus, but were turned away at both, a move that Aldus would come to seriously regret.
Shortly after, the Knoll brothers struck gold when they won over Adobe management with their product, and formed a licensing partnership with Adobe that was to launch their software and Adobe into the stratosphere.
We’ve included major changes within each version and some minor ones. This is meant to be a fun stroll down memory lane rather than a complete version catalogue.
If you have a particular version change that got your hackles up or a feature that you’d to mention, feel free to add it to the comments section.
1990 – Photoshop 1.0
John Knoll, Thomas’ brother, wrote “special effects” for the program which were frowned upon by Adobe staff as being too “gimmicky”. Thomas and John found a way to sneak them into Photoshop as plugins, giving rise to what is now a huge cottage industry in add-ons to the popular program.
John and Adobe staff constantly pushed Thomas to make improvements until the final product shipped.
The first version of the Photoshop splash screen features just four Photoshop programmers. In subsequent versions, more and more names are added to the list. In more recent versions, a limited number of Adobe VIP’s appear in the splash screen.
Photoshop 2.0 included the Path feature, which allowed users to trim around an object easily and to save that path for future use. This feature was added by a second engineer, Mark Hamburg, that Adobe hired to work on the application.
Up until 2.0, Thomas Knoll was the only engineer working on it. Adobe called Mark the “Path Man”. 2.0 also featured rasterizing for Illustrator files, support for CMYK colour which led to widespread Photoshop adoption by the printing industry, and the Pen.
Photoshop 2.0 also required 4 megabytes of RAM to run rather than 2, which really helped program stability.
Photoshop 2.5, released in 1992, was notable for being the first release for the Windows operating systems.The code had to be completely changed in order to accomplish this goal which meant that the first effort was slow going.
16-bit file support and palettes were added to this version as well. The initial Windows release had a “memory bug”, a bug which actually saw Mark Hamburg offer to make house calls. The patched version was released as 2.5.1. Filters got their own menu in 2.5 as well. The workspace shot below is of Photoshop 2.5 for the Mac.
The big story for Adobe Photoshop 3.0 was layers. Layers were and are a lifesaver for any marginally complex design.
Prior to their introduction, designers would save different versions of designs so that they could go back and grab them if needed; layers made this practice redundant.
Layers are individual slices of the image that go together to make the final “sandwich” of the image. Different images, such as those used in the image above in the 3.0 splash screen, are assigned their own layers, making it easy to work on those images without tampering with other areas of the image.
Thomas Knoll, the original creator of the program, was responsible for their development. Other engineers made improvements in the program’s performance with Power Mac chips and bringing the Windows version up to the same level as the Mac version. Tabbed palettes also had their debut in 3.0.
Adobe engineers included Adobe Transient Witticisms (ATW) with this version. They were little Easter Egg funny one-liners that would appear only when you pressed obscure combinations of keys.
Adjustment layers and macros were the two most notable features of Photoshop 4.0.
Adjustment layers allow the designer to apply one effect to a group of layers. Macros, or actions in Photoshop speak, allow you to map a series of commands to one command. This allows you to perform the same operation in much less time if you have a bunch of images to work on.
The most important change to 4.0 was the unification of the user interface with other Adobe products, a feature which Adobe has stayed consistent with right up to present-day incarnations of the program. This meant a less steep learning curve for Adobe products, a blessing for those who got their start with Photoshop 4.0.
Loyal users of Photoshop were not amused with the redesign, the common question from the community being “Why did you break Photoshop?”.
The two most important features released with 5.0 were editable type and the ability to undo actions multiple times in the “History” palette.
Previous versions of Photoshop allowed text to be added, but the fuzzy rasterized type didn’t make for pretty magazine mastheads or decent web menus. This was a huge step forward. Multiple undos via the History palette were very helpful, especially since designers were starting to use the new Adobe tools for increasingly complex designs.
Color Management made its debut with 5.0. Like other major changes to Photoshop, it was greeted with equal parts of praise and condemnation. It allowed colors to be managed natively within the application rather than relying on third-party tools that had been used, a huge improvement.
However, it also automatically converted the colors when opening files, a “feature” that engineers quickly eliminated after multiple user complaints. The magnetic lasso tool debuted in 5.0, making selecting areas of an image to work on much easier.
Photoshop 5.5 featured the huge time saver, “Save For Web”. This feature allows those who choose it to save the image in a preset specifically designed for web use which allows the user to adjust image quality to achieve a smaller image.
Version 5.0 had failed to take the Web into account with all of its other major feature changes on the table. It was also bundled with ImageReady, a standalone program that was purpose-built to edit web graphics.
Most of the features of ImageReady were later incorporated into the full version of Photoshop and the idea of a simpler program was reborn eventually in the form of Photoshop Elements.
The layer styles panel made working with layers even easier in Photoshop 6. Vector shapes were also added in this release; the ability to draw vector shapes such as arrows into a bitmap was lauded by users.
There was also a new custom shapes palette that allowed the user to draw using vector shapes rather than just using lines. Text could also now be typed directly onto a picture, rather than being typed first into a text box.
Multi-layer functions made their first appearance with version 6.0. The Blending Options dialogue was also introduced which made blending various elements of an image much easier. 6.0 separated the crop tool from the marquee tool, making it that much easier to get to this commonly used command.
With the increasing complexity of the tools available to users, Photoshop was risking losing a significant market share that didn’t understand or need some of its more advanced tools.
In order to combat this, they released Photoshop Elements in 2001. The new product was a success, and designers continue to recommend it to clients for simple image resizing and other non-design tasks.
While its current interface, shown below, isn’t intuitive for those trained in traditional Photoshop, it is highly usable and labeled clearly for the average user. If there are any problems with it in terms of functionality, the simple answer is to upgrade to the full-featured Photoshop.
Version 7.0 introduced the healing brush and text that was fully vector-based. More importantly to veteran users, it introduced a new file browser that let designers easily pore through folders to find the graphics that they wanted.
Files within a folder could be renamed using Batch Rename, plus a bunch of other helpful commands that made working with a high volume of files much easier.
Workspaces could also be created and saved, allowing you to save your file locations and groups for future use.
The brush palette also featured a number of changes, including the new healing brush tool, patch tool, and the ability to create custom brushes. Spell check and a find/replace feature rounded out the updates to the text tool.
A number of enhancements were also included for web use, including the addition of rollover effects for images and a web gallery feature.
One of the most important upgrades was under the hood; 7.0 was optimized for use with Mac OS X, virtually eliminating crashes in the middle of working on large files. The tool presets palette let users program presets for commonly performed tasks, increasing efficiency.
Photoshop CS was the first to employ the CDS (counterfeit deterrence system) which recognized and refused to allow duplication of paper currency.
Scripting support for various web languages, including JavaScript, was also new to this release.
Layer groups were introduced with this version, which allowed various layers to be grouped together for effects to be applied to some and not others.
Improvements to the File Browser made images easier to work with, and the 16-bit and better large file support made CS much easier to work with for designers who constantly worked with larger images and photographers.
The red eye removal tool, previously exclusive to Elements, was popular enough to make an appearance in the core version of Photoshop. Smudging options and the ability to select multiple layers also added to the functionality of Photoshop.
The Vanishing Point tool allowed users to edit images in perspective. The largest moment of panic when upgrading to PS2 came for most when they tried to find the Paint Bucket tool, which had been classified under the Gradient tool. There were other significant changes to the UI that prompted one writer to put out this “Where’s My Stuff?” column.
Layers and the layers palette were other areas of note. The “links” column was removed because CS2 included a link button rather than the small chains beside each layer. The “Smart Object” feature was introduced, which allows the user to scale a layer up without significant loss of quality.
A faster load was probably the most noticeable feature of this 2007 release. It included fine tuning to a number of its existing tools rather than focusing on new ones.
The most notable new feature was graphic optimization for mobile devices, a feature which many web designers focusing on mobile design were thankful for. This version also saw significant feature updates to Adobe Camera RAW, a Quick Select tool, alterations to core commands like Brightness and Contrast and Black and White conversion.
CS3 shipped in Standard and Extended editions. The Extended version was intended for high end video and scientific users. Improved performance for Intel-based Macs significantly improved the speed of Photoshop, while Windows users also enjoyed performance upgrades. The new Quick Selection tool put the rest of the selection tools in Photoshop to shame with easy object selection with one or two strokes.
Cloning became easier in CS3 with the birth of the Clone Source palette which increased the options available to the Clone Stamp tool in an easily accessible palette.
The smoother pan and zoom allowed for fast drill down on the areas of an image that you wanted to look at. Prior to this, there was a lag time of a few seconds (depending on your system) if you wanted to zoom in or out on an image.
The Masks and Adjustments panel was added, making working with masks easier. CS 4 also dealt with edges on masks more effectively. Colour correction took a huge step forward with this release.
The user interface was significantly simplified in CS4. The support of tabbed documents made it much easier to use and the main tools were added to the title bar for easier access. Quick access for common actions was made available in the panel area.
Thomas Knoll
Thomas was the lead developer of Photoshop right up until CS 4. He now leads up the Camera Raw plugin for Photoshop, which allows Photoshop to develop a smooth handshake between different models of camera raw image formats.
History of Adobe Photoshop
John Knoll
John is still employed by Industrial Light and Magic as a Visual Effects Supervisor. He was the Visual Effects Supervisors for the recent efforts on the first three Star Wars prequel films. He also supervised work on two Star Trek movies, Star Trek episodes, and the Pirates of the Caribbean movies.
Glenn Knoll
Their father is a teacher at the University of Michigan in the Engineering Department.
